Conference Agenda View:
Windows are a particularly important defining feature of architectural style. Rarely do we describe a building without reference to the type of window and its placement on the elevations of the house. This workshop will introduce participants to window styles and construction and will discuss the options for window restoration and repair. Students will learn the anatomy of a window and have the opportunity for “hands on” participation including opportunities for glazing and glass cutting. This workshop is offered in partnership with the Fairmount Park Conservancy.
Instructor: Raymond Tschoepe and Tom Mcpoyle
Date: Saturday, Sept. 23, 2017
Time: 9:00 a.m.-1:00 p.m.
Location: Indian King Tavern, Haddonfield, NJ
Credits: .4 CEUs; AIA credits pending
Raymond Tschoepe is Director of Conservation for the Fairmount Park Conservancy and and adjunct faculty member of the historic preservation program of Bucks County Community College, where he teaches a core course in building conservation. He is a contributing editor of Old House Journal, for which he has written, illustrated, and photographed numerous articles. Mr. Tschoepe lectures at conferences and workshops for Traditional Building and the Association for Preserving Technology. Mr. Tschoepe graduated from the School of Fine Arts master’s program in Historic Preservation. He then worked for nearly 10 years as an independent restoration contractor. Among many preservation projects, Ray worked toward the restoration of elements of Bellaire manor, Letitia Street House, Malta Boat Club and the entry doors and panels of Founder’s Hall at Girard College.
Tom Mcpoyle is a conservator for the Fairmount Park Conservancy. Recent projects as conservator include Cedar Grove exterior woodwork restoration, Letitia House restoration, Glen Foerd plaster medallion restoration, Lemon Hill fanlight restoration. Before working in Fairmount Park, he worked for four years in the preservation of historic decorative finishes for Albert Michaels Conservation in Harrisburg, where he helped to restore buildings such as Longwood Gardens’ Ballroom and the Pennsylvania State Capitol Building.
What is interpretive planning? Essentially it combines all the elements that create an optimal visitor experience at a historic site, exhibition, or museum. At this workshop we will consider the interpretive planning process and discuss the various elements that are included in an interpretive plan. We will discuss experiences that participants have had—both positive and negative—in visiting historic sites or exhibitions, and we will apply these experiences to an interactive session based on a current exhibition installed at the Alice Paul Institute. Participants will learn why interpretive planning should be an essential part of any strategic or master planning exercise at a historic and/or cultural institution.
Instructor: Page Talbott
Dates: Saturday, October 7, 2017
Time: 9:30 a.m.-3:00 p.m.
Location: Alice Paul Institute, Mount Laurel, NJ
Credits: .5 CEUs
Dr. Page Talbott is a senior fellow at the Center for Cultural Partnerships at Drexel University and is the principal consultant at Talbott Exhibits and Planning. From 2013 to June 2016, she served as president of the Historical Society of Pennsylvania. Among her career highlights are her role as associate director of the Benjamin Franklin Tercentenary and chief curator of Benjamin Franklin: In Search of a Better World, the international traveling exhibition commemorating the anniversary of Franklin’s 300th birthday (2003–2008), and the creation of the content for the Benjamin Franklin Museum at Franklin Court, which opened in August 2013. She has also served as senior project manager to assist the Barnes Foundation with its collection move from Merion to Philadelphia; consulting curator for 15 years for Moore College of Art & Design; consultant for the Philadelphia documentary company History Making Productions; and planning consultant for dozens of historical organizations including Historic Morven, the Lancaster County Historical Society, and Historic Germantown. Dr. Talbott is the author and editor of several books and monographs, as well as dozens of articles on a variety of topics, ranging from American fine and decorative arts to cultural history. She has lectured and taught extensively, on a variety of topics. Dr. Talbott holds a BA from Wellesley College, an MA from the University of Delaware/Winterthur Program in American Material Culture, and an MA and PhD in American Civilization from the University of Pennsylvania.
More details coming soon!
This workshop is sponsored in partnership with the New Jersey Historical Commission, the New Jersey Council for the Humanities, and the New Jersey Historic Trust.
The Lackawanna Historical Society will host the 2017 PHA Annual Meeting from October 12 – 14, 2017. Conference sites will include the Catlin House, Radisson Lackawanna Station Hotel, Heritage Room of the University of Scranton Library, and Steamtown National Historic Site. While proposals on all aspects of Pennsylvania and Mid-Atlantic history are encouraged, the program committee invites submissions on the theme, “Public Histories of the Mid- Atlantic,” which explores the many ways in which the public engages with the past. Local Arrangements Chair Mary Ann Moran-Savakinus and Program Committee Chair Silad Chamberlin look forward to welcoming you to the conference.
Focused on the continuing MAAM theme to push the envelope, “Making Museums Matter: From Advocacy to Action” will address the centrality of audience and communities to the success of our institutions during changing times. Pittsburgh’s renaissance from a rust-belt city to an urban center of thriving ethnic neighborhoods, progressive philanthropy, “good eats,” and great museums and cultural institutions, is the perfect setting to enter into conversation and debate about the challenges and opportunities of the coming months. Watch the MAAM website early this spring for a call for session proposals for the conference in Pittsburgh. MAAM turns 70 in Pittsburgh, so there will be plenty to celebrate and reflect upon during this landmark conference.
Historic architecture is known to us in primary source materials through drawings or early black-and-white photography. What’s missing is color and the finishing of a building that makes all the difference in its appearance. Through lectures and hands-on lab work, workshop participants will learn what traditional paints were made of, how they were used, and ways to investigate the finishes history of a building.
Instructor: Janet W. Foster
Dates: Saturday, November 11, 2017
Time: 9:00 a.m.-3:00 p.m.
Location: South AB, Campus Center, Rutgers-Camden
Credits: .6 CEUs
Janet W. Foster is an architectural historian and historic preservation consultant with over 30 years of experience. She studied at the Columbia University Historic Preservation Program and then founded Acroterion, a preservation consulting firm, in 1983. At Acroterion, she had the opportunity to study hundreds of buildings in New Jersey, New York, and Pennsylvania through preparation of National Register nominations, Historic Structures Reports, historic buildings surveys, paint analysis, and other projects. Ms. Foster is a noted teacher and lecturer on historic architecture, with a particular specialization in historic paint colors and the use of books and magazines to transmit architectural ideas in 19th-century America. She is currently an adjunct professor in the Historic Preservation Program at Columbia University’s Graduate School of Architecture, Planning & Preservation.
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