Although I did not realize it at the time, my first public history ‘gig’ was my high school summer job giving tours of Lucy the Elephant, a national historic landmark in Margate that was built in 1881 to draw potential land buyers to what was then the sparsely populated borough of ‘South Atlantic City.’ At that point the belly of the beast resembled a small gallery displaying a range of local historical artifacts, including a horse-drawn firehose cart, which were soon removed to the just opened Margate Historical Society Museum where they stayed on exhibit until the building itself was damaged by Hurricane Sandy.
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Tagged with: African-American Heritage Museum of Southern New Jersey
, Atlantic City History Museum
, Atlantic County Historical Society
, Boardwalk of Dreams
, Bryant Simon
, Catsto House
, Friends of Encore Learning of Stockton
, Jersey Shore Tours
, Leedsville Schoolhouse
, Linwood Maritime Museum
, Longport Historical Society Museum
, Lucy the Elephant
, Margate Historical Society Museum
, National Council on Public HIstory
, National Forum on Historic Preservation Practice
, Northfield Museum
, Ocean City Historic Preservation Commission
, Ocean City Historical Museum
, Ocean City Life Saving Station
, Richard Somers
, Salt Water Taffy
, Somers Point Historic Preservation Commission
, Somers Point Historical Society
, Stockton University
, the James Candy Company
, the Knife and Fork Inn
, Ventnor History Museum
My wife’s idea of a good date night does not usually involve a visit to a tavern or a historic site. Her ideal date would involve a nice meal at an elegant restaurant and an entertaining show, and then ice cream, of course. Last month, I was able to accomplish her ideal Date Night: The Old Fashioned Way with a trip to the Half Way House Restaurant and Swift Creek Mill Theatre in Chesterfield County, Virginia.
By Erika Piola
As the Co-Director of the Visual Culture Program (VCP at LCP) at the Library Company of Philadelphia, the collections with which I work daily document the visual construction of history. In preparing for our current VCP exhibition Common Touch: The Art of the Senses in the History of the Blind, the experience has purposefully challenged my conceptions of the privileged role of vision in visual culture studies.
From battles over children’s books to debates over the Confederate flag, the public is questioning what counts as part of our national historical narrative. Registration is now open for the second annual Telling Untold Histories, New Jersey’s unconference on public history, museums, cultural heritage and education to be held at Rutgers University-Newark on May 13, 2016. Untold Histories reflects the belief that every place, every person, and every object has a history, albeit a hidden one.
By Curtis Miner, Senior History Curator at State Museum of Pennsylvania
When the Pennsylvania Turnpike opened in October 1940 as the first limited access “super highway” in the country, there was the sense that history was unfolding, even if its implications for how Americans might travel in the future could only be glimpsed faintly, if at all.
The press corps of the day declared it to be a “dream highway“ and America’s answer to the German Autobahn. The thousands of motorists who descended on it during its first weekend of operation, many having waited in line for hours for a chance to ride the “magic carpet” across the Alleghenies, seemed to agree. Though there were other long distance roadways then in existence, including national routes such as the Lincoln Highway, none offered the speed, convenience and safety of the new 160-mile stretch that crossed the Allegheny Mountains connecting Harrisburg to Pittsburgh.
Volunteering and interning can teach you everything from why dress codes are important to why it’s important to show up on time each day. The types of responsibilities you receive are usually a little different and can be tailored around what your strengths and weaknesses are.